Teaching Improv: The Essential Handbook (Mel Paradis)
/ 2 de enero de 2020

Teaching Improv: The Essential Handbook: Your step-by-step guide to teaching short form improv Do you want to teach improv, but don’t know where to start? Are you looking for ways to structure improv games into effective lesson plans? Introducing Teaching Improv: The Essential Handbook, a new resource packed with 16 step-by-step lesson plans that will take the stress out of planning your improv classes. We’ve done the hard work for you, by organizing today’s best improv games into fun, skill-based lessons that your students will absolutely love. More importantly, you’ll see them grow into confident and creative performers. This resource was created by the same award-winning publisher of Teaching Drama: The Essential Handbook, a #1 best-seller on Amazon which has sold over 35,000 copies and has been translated into 5 languages. Go beyond improv games. With this book you’ll get: 16 detailed, full-proof lesson plans that cover the “9 rules of improv” Notes on how to introduce improv concepts in clear, concise language Over 114 improv games and activities Reflection and journaling exercises after each lesson Homework handouts and YouTube video links to deepen understanding Sample “performance line-ups” for every age/experience level A troubleshooting guide to address common issues Bonus…

101 juegos teatrales para grupos: De actuación e improvisación (Ángel Serrano Laguna)
/ 17 de diciembre de 2019

¿Eres profesor de teatro y necesitas material para tus clases? ¿Eres actor y quieres juntarte con otros a explorar técnicas interpretativas? ¿Eres el director de una compañía, aficionada o profesional, y quieres poner a prueba las capacidades de tus actores? ¿O eres un aficionado que simplemente quiere pasar un buen rato haciendo el tonto con sus amigos? Si la respuesta es sí, este es tu libro. Está dividido en dos partes. En la primera, encontrarás 101 juegos teatrales, ordenados en cuatro categorías: Calentamiento: juegos de apertura para que los participantes entren en modo actuación. Interpretación: ejercicios de representación de personajes y situaciones. Improvisación: creaciones de historias cortas por grupos. Creación de escenas: improvisación de escenas completas, a partir de premisas argumentales. En la segunda parte, podrás encontrar 6 sesiones de teatro que combinan juegos de las cuatro categorías, clasificadas por dificultades: Principiantes: para grupos con poca experiencia teatral. Iniciados: para grupos que han realizado otros talleres de teatro. Avanzadas: para grupos más experimentados.

A Guide to Keith Johnstone’s Maestro Impro™ (ITI Format Guides)
/ 17 de diciembre de 2019

This guide is for all those wishing to train in and produce Maestro Impro™. It is a fantastic format to experience Impro Keith Johnstone style and receive all of the personal and group benefits that go along with it. Maestro Impro™ player/directors develop in storytelling, spontaneity, joyful failure, confidence, teamwork, playfulness and so much more. In the late 1950’s Keith Johnstone was experimenting with Theatresports™ in London England. It was first produced in Calgary, Canada in 1977, from there spread around the world and is now played in over 90 countries. Maestro Impro™ was developed in the early 1990s and is now played popularly worldwide. The International Theatresports™ Institute was created by Keith to entrust and manage his Impro formats. The ITI grants performance rights to groups wishing to train on and perform the Keith Johnstone formats of Theatresports™, Maestro Impro™ and Gorilla Theatre™. Money from royalties goes to member benefits, building the Impro community and managing the trademark and legacy. Keith himself has never taken any profit from the licensing of Theatresports™. ITI members have select access to the Maestro Impro™ Guide but it is also available for purchase to anyone.

A Guide to Keith Johnstone’s Gorilla Theatre (ITI Format Guides)
/ 17 de diciembre de 2019

This guide is for all those wishing to train in and produce Gorilla Theatre™. It is a fantastic format to experience Impro Keith Johnstone style and receive all of the personal and group benefits that go along with it. Gorilla Theatre™ player/directors develop in storytelling, spontaneity, joyful failure, confidence, teamwork, directing, clowning and so much more. In the late 1950’s Keith Johnstone was experimenting with Theatresports™ in London England. It was first produced in Calgary, Canada in 1977, from there spread around the world and is now played in over 90 countries. Gorilla Theatre™ had its debut in 1992 and is also becoming popular worldwide. The International Theatresports™ Institute was created by Keith to entrust and manage his Impro formats. The ITI grants performance rights to groups wishing to train on and perform the Keith Johnstone formats of Theatresports™, Maestro Impro™ and Gorilla Theatre™. Money from royalties goes to member benefits, building the Impro community and managing the trademark and legacy. Keith himself has never taken any profit from the licensing of Theatresports™. ITI members have select access to the Gorilla Theatre™ Guide but it is also available for purchase to anyone.

A Guide to Keith Johnstone’s Theatresports™ (ITI Format Guides)
/ 17 de diciembre de 2019

This guide is for all those wishing to train in and produce Theatresports™. It is a fantastic format to experience Impro Keith Johnstone style and receive all of the personal and group benefits that go along with it. Theatresports™ players develop in storytelling, spontaneity, joyful failure, confidence, teamwork and so much more. In the late 1950’s Keith Johnstone was experimenting with Theatresports™ in London England. It was first produced in Calgary, Canada in 1977, from there spread around the world and is now played in over 90 countries. The International Theatresports™ Institute was created by Keith to entrust and manage his Impro formats. The ITI grants performance rights to groups wishing to train on and perform the Keith Johnstone formats of Theatresports™, Maestro Impro™ and Gorilla Theatre™. Money from royalties goes to member benefits, building the Impro community and managing the trademark and legacy. Keith himself has never taken any profit from the licensing of Theatresports™. The ITI Theatresports™ Guide was originally produced exclusively for performance rights holders free of charge in pdf form. This new print edition has been revised and improved for larger distribution. ITI members still have select access but it is now available for purchase to…

Answers from Improv Teachers (David Escobedo)
/ 13 de diciembre de 2019

David Escobedo, a recent Hollywood transplat, asked the popular improv teachers from all over England common questions found in improv. The diversity of their answers offers different views and insight that can help you on your improv journey. Great content to quote for research or creating online content for your own improv page.

How to Teach Improvised Comedy… (Jason Lewis)
/ 13 de diciembre de 2019

«How to Teach Improvised Comedy: Using the Science of Expertise to Develop Masterful Improvisors» de Jason Lewis Use the Science of Expertise in your Improv teaching practice to create better improvisors, faster. Learn how expert improvisors are really made, the one tool that trumps a class «purpose», how to design drills that work, and how most improv teachers are side-coaching incorrectly. With 53 specific, usable tools this book will improve your improv coaching, directing or teaching right away. Each tool is backed by research and uses the latest findings in neuroscience, education, sport and the arts to make a difference.

Do Improvise: Less Push. More Pause. Better Results. (Robert Poynton)
/ 19 de noviembre de 2019

Do Improvise: Less Push. More Pause. Better Results. A New Approach to Work (and Life) (Do Books) -Robert Poynton Everyday we deal with the unplanned and the unexpected – from a broken toaster to losing (or gaining) a major client. Our natural ability to improvise gets us through. But we feel as if we’re winging it, rather than acting with courage and conviction. Robert Poynton teaches an acclaimed method to some of the world’s biggest brands and companies. Improvisational skills that an actor might use on stage are honed and applied to the everyday business of work and life. The end result is a new approach that embraces change as a natural process and has creativity and innovation at its heart. With killer games to put the theory into practice, Do Improvise will help you: • Become more productive without trying harder • Overcome creative blocks and generate new ideas • Respond fluently to circumstances beyond your control • Inspire and motivate others Not sure what to do next? Improvise.

Everything’s An Offer: How to do more with less (Robert Poynton)
/ 19 de noviembre de 2019

Everything s an Offer’ tells the story of one business person’s adventure in the world of improvisational theatre. It explains how the practises improv is based on can help you make more with what you have, using less effort, less energy and less resources (whilst creating less difficulty and stress). It illustrates, with myriad examples and stories, how anybody leading a busy and complicated life can put these ideas into action and why doing so will help them lead a more satisfying, creative and sustainable life. It extends the applications of improv far beyond team building and offers a new language for thinking about how we go about business – a language that has been used by Fortune 500 companies such as Nike, Intel and FedEx to help them communicate better, build stronger relationships (internally or with customers), propel people into action and get to new ideas and solutions.

Improvvisazione Teatrale -Dall’atto creativo al ritmo
/ 10 de octubre de 2019

Prima pubblicazione a cura di autori italiani sul tema, realizzata dalla cooperativa Improvvvisart. Un testo dedicato al mondo dell’Improvvisazione Teatrale, primo volume della collana “I colori dell’Improvvisazione”, realizzato con il contributo dei migliori docenti italiani e con il sostegno dell’Associazione Nazionale Improteatro. La collana intende offrire testimonianza e dare merito al percorso di crescita e maturazione del concetto moderno di Improvvisazione Teatrale in Italia. L’improvvisazione oggi è in fermento, in continua evoluzione, in crescita. Sempre più numerose sono le scuole, le compagnie, gli spettacoli, i raduni nazionali, i festival in Italia. Il primo volume va dritto al “cuore” dell’improvvisazione teatrale: l’atto creativo, l’ambiente, i personaggi, le relazioni e il ritmo di una storia improvvisata. Gli autori di questo volume sono: Mari Rinaldi (Teatribù – Milano), Luca Gnerucci (Teatro a Molla – Bologna), Daniele Marcori (Qfc Teatro – Roma), Tiziano Storti e Susanna Cantelmo (Verba Volant – Roma). 104 págs. ISBN 9788899189006 Editorial Ergot Primera ed: Mayo 2015 Comprar Ed. Ergot