T.J. and David are internationally known, award-winning, master improvisers from Chicago’s legendary scene. This in-depth look at the techniques, principles, theory and ideas behind what they do is both authoritative and entertaining. Since their early years playing the iO (formerly Improv Olympic) and the Second City mainstage theater (where David won a Joseph Jefferson award for best actor in a revue), TJ and Dave have been performing for over fifty years combined – fifteen as a team. David worked with improvisation guru Del Close, in development of theThe Harold, the preeminent longform theatrical structure, and both are multi-award winning actors.
Cómo orquestar una comedia es un libro eminentemente práctico que con mucho humor ofrece al lector todos aquellos recursos imprescindibles para emprender la redacción de una comedia de forma eficaz; recursos que permiten eludir con garantía de éxito los obstáculos que a menudo se interponen en el desarrollo de situaciones cómicas.
No podía faltar en la colección Talleres (Taller de Lectura, Taller de Teatro y Taller de Voz), un material práctico de trabajo para jugar y poder articular un taller teatral para niños. El libro ofrece una abundante cantidad de posibilidades que sirven para organizar sesiones lúdicas y de aprendizaje teatral con los más pequeños y jóvenes.
Juegos para actores y no actores es un libro valioso para todas las personas interesadas en la aplicación de técnicas teatrales en todas las actividades humanísticas: psicología y psicoterapia, arte y educación, trabajo social y político.
You’re an actor. You know you’re going to have to do it sometime, but the very thought chills your blood, makes your palms go sweaty, and your voice squeak. It’s improvisation – and for many actors it’s a nightmare. Greg Atkins, a member of South Coast Repertory and unabashed improviser, takes the fear out of improv. This friendly, informative book looks at the reasons many actors hate improvisation, while quietly reinforcing the reasons improv is a vital part of acting and of theatre. He offers sensible (and fun!) exercises that can be used by teachers or by actors, to build up the mental agility that is so much a part of improvisation, and that should be part of every actor’s arsenal.
Long-Form Improv: The Complete Guide to Creating Characters, Sustaining Scenes, and Performing Extraordinary Harolds (Ben Hauck) Long-Form Improv deftly teaches the wildly popular form of improvisation that is so foundational to the comedy stylings of many of today’s top actors and thriving comedians. Crammed with innovative ideas for conceptualizing improvised scencework and finding the game of the scene, this crisply written manual covers techniques for experienced improvisers, curious actors, and even non-actors.
When improv quartet Parallelogramophonograph (PGraph for short) embarked on their narrative improv journey in Austin, TX in 2005, they had no idea they were about to spend over a decade learning and discovering how to create fully improvised plays on the spot. This mini-book is filled with several short essays by members of PGraph – all on improv theories and techniques designed to help make narrative improv more fun, accessible, and attainable. WEB
Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential reading for beginning and professional actors alike. Throughout these pages Meisner is a delight—always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges. With an introduction by Sydney Pollack, director of Out of Africa and Tootsie, who worked with Meisner for five years. “This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner’s way of teaching, it is the straight goods.”—Arthur Miller “If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book.”—Gregory Peck
What if all the theatre books in the world taught people how to rehearse but not how to perform? Nothing on presentation. This odd situation exists in the genre of improv theatre books, where there are quite a few published tomes providing improv training, but nothing, really, on how to perform it in front of a live audience. This book gives all the tools that a reasonably competent adult would need to understand improv theatre, train others, form a performing group, and keep it together as long as possible. The unique element of this book is it’s focus not only on improv concepts and games but on practical guidelines for creating a viable performing group and staging improv games for live audiences. The book includes an extensive game list with staging comments.