{"id":1047,"date":"2022-07-08T09:06:15","date_gmt":"2022-07-08T08:06:15","guid":{"rendered":"https:\/\/librosdeimpro.com\/?post_type=ao_book&p=1047"},"modified":"2026-09-21T02:49:27","modified_gmt":"2026-09-21T00:49:27","slug":"linhagens-e-nocoes-fundamentais-de-improvisacao-teatral-no-brasil-sandro-de-cassio-dutra","status":"publish","type":"ao_book","link":"https:\/\/librosdeimpro.com\/en\/book\/linhagens-e-nocoes-fundamentais-de-improvisacao-teatral-no-brasil-sandro-de-cassio-dutra\/","title":{"rendered":"Linhagens e no\u00e7\u00f5es fundamentais de improvisa\u00e7\u00e3o teatral no Brasil (Sandro de C\u00e1ssio Dutra)"},"content":{"rendered":"

Linhagens e no\u00e7\u00f5es fundamentais de improvisa\u00e7\u00e3o teatral no Brasil: Leituras em Boal e Burnier<\/em>
\nDoctoral thesis – Federal University of the State of Rio de Janeiro, 2013<\/p>\n

In a historical-theatrical perspective, the author investigates what he considered the main sources of the conceptions of improvisation, namely, those coming from the Russian director and theorist Stanislavski and the Italian branch (Commedia dell’Arte and Eugenio Barba).<\/p>\n

This book is the result of an attempt to understand the fundamental notions of improvisation in Brazilian theater, present in the conceptions of Augusto Boal and Lu\u00eds Ot\u00e1vio Burnier. In a historical-theatrical perspective, the author investigates what he considered to be the main sources of the conceptions of improvisation, namely, those coming from the director and the theorist.<\/p>\n

The Russian Stanislavski and the Italian part (Commedia dell’Arte and Eugenio Barba). Through the analysis of these references, followed by the investigation of the works of Boal and Burnier, the author suggests that, indeed, it is possible to establish significant comparisons between the conception of Stanislavski and Boal, on the one hand, and that of Barba (directly related to Commedia dell’Arte) and Burnier, from another. From these convergences, two improvising lineages are established: Stanislavski-Boal; commedia dell’arte\/Barba-Burnier.<\/p>\n","protected":false},"excerpt":{"rendered":"

Linhagens e no\u00e7\u00f5es fundamentais de improvisa\u00e7\u00e3o teatral no Brasil: Leituras em Boal e Burnier Doctoral thesis – Federal University of the State of Rio de Janeiro, 2013 In a historical-theatrical perspective, the author investigates what he considered the main sources of the conceptions of improvisation, namely, those coming from the Russian director and theorist Stanislavski and the Italian branch (Commedia dell’Arte and Eugenio Barba). This book is the result of an attempt to understand the fundamental notions of improvisation in Brazilian theater, present in the conceptions of Augusto Boal and Lu\u00eds Ot\u00e1vio Burnier. In a historical-theatrical perspective, the author investigates what he considered to be the main sources of the conceptions of improvisation, namely, those coming from the director and the theorist. The Russian Stanislavski and the Italian part (Commedia dell’Arte and Eugenio Barba). Through the analysis of these references, followed by the investigation of the works of Boal and Burnier, the author suggests that, indeed, it is possible to establish significant comparisons between the conception of Stanislavski and Boal, on the one hand, and that of Barba (directly related to Commedia dell’Arte) and Burnier, from another. From these convergences, two improvising lineages are established: Stanislavski-Boal; commedia dell’arte\/Barba-Burnier.<\/p>\n","protected":false},"featured_media":1048,"comment_status":"open","ping_status":"closed","template":"","meta":[],"post_tag":[65,49],"topic":[14,4,15],"class_list":["post-1047","ao_book","type-ao_book","status-publish","has-post-thumbnail","hentry","tag-historia","tag-commedia-dellarte","topic-ensayo","topic-impro","topic-portugues"],"featured_image_url":{"thumbnail":"https:\/\/librosdeimpro.com\/wp-content\/uploads\/2022\/07\/Linhagens_e_nocoes_fundamentais_de_improvisacao_teatral_no_Brasil-Sandro_de_Cassio_Dutra-150x150.jpg","medium":"https:\/\/librosdeimpro.com\/wp-content\/uploads\/2022\/07\/Linhagens_e_nocoes_fundamentais_de_improvisacao_teatral_no_Brasil-Sandro_de_Cassio_Dutra-200x300.jpg","medium_large":"https:\/\/librosdeimpro.com\/wp-content\/uploads\/2022\/07\/Linhagens_e_nocoes_fundamentais_de_improvisacao_teatral_no_Brasil-Sandro_de_Cassio_Dutra.jpg","large":"https:\/\/librosdeimpro.com\/wp-content\/uploads\/2022\/07\/Linhagens_e_nocoes_fundamentais_de_improvisacao_teatral_no_Brasil-Sandro_de_Cassio_Dutra.jpg","1536x1536":"https:\/\/librosdeimpro.com\/wp-content\/uploads\/2022\/07\/Linhagens_e_nocoes_fundamentais_de_improvisacao_teatral_no_Brasil-Sandro_de_Cassio_Dutra.jpg","2048x2048":"https:\/\/librosdeimpro.com\/wp-content\/uploads\/2022\/07\/Linhagens_e_nocoes_fundamentais_de_improvisacao_teatral_no_Brasil-Sandro_de_Cassio_Dutra.jpg"},"post_author":"","assigned_categories":"history, commedia dell'arte, Essay, Improv books, Portuguese","_links":{"self":[{"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/ao_book\/1047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/ao_book"}],"about":[{"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/types\/ao_book"}],"replies":[{"embeddable":true,"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/comments?post=1047"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/media\/1048"}],"wp:attachment":[{"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/media?parent=1047"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/post_tag?post=1047"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/topic?post=1047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}