THEATER REHEARSAL BOOKLET 47. BODIES IN PERFORMANCE. IMPROVISATION AND COMPOSITION PRACTICES<\/p>\n\n\n\n
What are the ways of constructing knowledge in the arts of the body? asks Narciso Telles in this essay, whose research, as an artist-teacher, has
been directed at the processes and poetics of acting and improvisation in the theater, particularly when it comes to “poetically and politically confronting the issues of our time.”<\/p>\n\n\n\n
Narciso Telles is an actor, director and researcher at the Study and Research Group on Creation and Training in Performing Arts at the Universidade Federal de Uberl\u00e2ndia (GEAC\/UFU), Brazil.<\/p>\n","protected":false},"excerpt":{"rendered":"
THEATER REHEARSAL BOOKLET 47. BODIES IN PERFORMANCE. IMPROVISATION AND COMPOSITION PRACTICES What are the ways of constructing knowledge in the arts of the body? asks Narciso Telles in this essay, whose research, as an artist-teacher, hasbeen directed at the processes and poetics of acting and improvisation in the theater, particularly when it comes to “poetically and politically confronting the issues of our time.” Narciso Telles is an actor, director and researcher at the Study and Research Group on Creation and Training in Performing Arts at the Universidade Federal de Uberl\u00e2ndia (GEAC\/UFU), Brazil.<\/p>\n","protected":false},"featured_media":1309,"comment_status":"open","ping_status":"closed","template":"","meta":[],"post_tag":[],"topic":[14,18],"class_list":["post-1308","ao_book","type-ao_book","status-publish","has-post-thumbnail","hentry","topic-ensayo","topic-espanol"],"featured_image_url":{"thumbnail":"https:\/\/librosdeimpro.com\/wp-content\/uploads\/2024\/02\/cuadernillo-ensayo-teatral-47-cuerpos-en-actuacion-practicas-de-improvisacion-y-composicion--150x150.jpg","medium":"https:\/\/librosdeimpro.com\/wp-content\/uploads\/2024\/02\/cuadernillo-ensayo-teatral-47-cuerpos-en-actuacion-practicas-de-improvisacion-y-composicion--300x300.jpg","medium_large":"https:\/\/librosdeimpro.com\/wp-content\/uploads\/2024\/02\/cuadernillo-ensayo-teatral-47-cuerpos-en-actuacion-practicas-de-improvisacion-y-composicion--768x768.jpg","large":"https:\/\/librosdeimpro.com\/wp-content\/uploads\/2024\/02\/cuadernillo-ensayo-teatral-47-cuerpos-en-actuacion-practicas-de-improvisacion-y-composicion-.jpg","1536x1536":"https:\/\/librosdeimpro.com\/wp-content\/uploads\/2024\/02\/cuadernillo-ensayo-teatral-47-cuerpos-en-actuacion-practicas-de-improvisacion-y-composicion-.jpg","2048x2048":"https:\/\/librosdeimpro.com\/wp-content\/uploads\/2024\/02\/cuadernillo-ensayo-teatral-47-cuerpos-en-actuacion-practicas-de-improvisacion-y-composicion-.jpg"},"post_author":"","assigned_categories":"Essay, spanish","_links":{"self":[{"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/ao_book\/1308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/ao_book"}],"about":[{"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/types\/ao_book"}],"replies":[{"embeddable":true,"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/comments?post=1308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/media\/1309"}],"wp:attachment":[{"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/media?parent=1308"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/post_tag?post=1308"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/librosdeimpro.com\/en\/wp-json\/wp\/v2\/topic?post=1308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}