At some point in our lives, we have all experienced the intense curiosity to discover the inner workings of the toy we love, that toy that brings us pleasure, that ignites in us the passion to keep playing. Why is it the way it is? Why does it move the way it does? What makes it so fun? How does its soul work? Canovaccio, dramaturgia de la impro is a journey into the heart of the challenging toy that is theatrical improvisation, an invitation to be surprised as we dissect its body, as we expose its skeletal structure to those who practice it and those who have enjoyed it as an audience, in search of answers that allow us to understand its inner workings.

More than twenty years of the author’s theoretical and practical research underpin this unique journey in search of the rules that govern this unpredictable sea of ​​improvised dramatic structure, finding answers to many questions and provoking many others, not with the aim of controlling it—it would be impossible to master what is by nature untamable—but rather to learn to swim in it.

Drawing on historical research and the author’s practical experience, this book reflects on and compiles the available knowledge regarding different approaches to planning improvisation. It also includes various empirical case studies of these approaches, as well as a rich historical record of stage improvisation in Colombia, reflecting a global and Latin American movement of great relevance and importance in the training and development of artists in recent decades.