For 20 years, Piolo Juvera has dedicated himself to the art of theatrical improvisation, which consists of telling, acting and singing stories. Stories and songs that have not been previously written or planned, which are created on the spot based on contributions from the public. In this book he shares how the teachings of “Improv” can be applied to one’s own life, which is the maxim of improvisations. The skills that must be developed to accomplish these stage feats are the same ones that the author chose as his life philosophy and that he now addresses in the book: listening, acceptance, decision, adaptation, speaking loudly and clearly, being in the here-and-now, play seriously, follow fear, fail in new ways, be the protagonist that your story needs, use error to your advantage. Improvisation is not an indecipherable entelechy. It can be an art. But it is also a technique. It has a methodology and rules that anyone can learn. The first and most important of those rules: the YES-AND. I say “YES” to your proposal “AND” I add something to make it ours. Commonly loaded with comedy, theatrical improvisation can also surprise us with stories that move and excite, that inspire…

On he walks on a empty stage. A player comes with. The director calls out. to the audience. what have they goin’. The crowd cheers. Now. the stage is set… they walk off again and

This best-selling book by Viola Spolin offers the most comprehensive theater instruction for all types of students, from small children to young adults. It includes over 130 theater games, plus exercises and instructional strategies. First developed by Spolin, the originator of modern improvisational theater techniques, these games have been tried and tested for over fifty years.

Theatrical Games. Awareness raising, improvisation, character construction. Acting techniques This book collects the pedagogical work of the author, who for 16 years has combined her experience as an actress and teacher to systematize, specify and propose coherent material for teachers, students and theater directors, on useful and simple dynamics to design a theater program. The first part is based on different games and exercises that are used to prepare the actor, compiled from the experience of the author and from the teachers Clive Barker and Viola Spolin. The second part is focused on the work of the teacher based on acting techniques such as The Comedy of Art, the Stanislavski technique, the Michael Chekhov technique and the Neutral Circle technique.

Have you ever seen a HAROLD in your life? Improv theater, called Impro, Improv or Improv Comedy, is usually known for improvisation games. Television shows like Who’s Line is you anyway? popularized improvisation games on the Internet. The entire Improv methodology was developed through improvised games. All improvisers learn to improvise through them. Improvised games are the ABC of improvisation but… what about the rest of the alphabet? In 1955, in California, members of the group The Committee decided to put on a different improvisational show that night. Instead of a theatrical show made up of improvisation games as they normally did, they decided to try a new way of improvising: with just one word from the audience as an initial suggestion, they would improvise the entire show straight without stopping until the end. After the performance, in the car, returning home, the group’s director, called Del Close, asked what they would name that different type of improvisation and one of the members simply replied: “Harold!”. Long form improvisation, also called slow comedy, was born there. Claudio Amado is from Teatro do Nada, one of the precursor groups of Improv in Brazil, founded in 2004. In 2009, Claudio Amado debuted…

Theater Games for Rehearsal: A Director’s Handbook heater Games for Rehearsal is a practical application of the famous methods which have led Viola Spolin to be called “the high priestess of improvisational theater.” Spolin’s first book since the best-selling Improvisation for the Theater, this handbook guides directors and their companies step-by-step through all phases of the rehearsal period. Distilling her lifetime of experience in the theater, Spolin shows in easy-to-follow detail how her techniques can be used for a variety of theater situations, ranging from selecting plays to be performed, auditioning the cast, and building a harmonious company to warming up actors, creating stage space, and overcoming opening night jitters. The convenient, large format presents the Spolin method clearly, explains the uses of each game, and provides a wealth of useful hints and notes. Sidecoaching instructions and game evaluations appear in large, readable type for easy reference in the rehearsal hall. By making Spolin’s approach to scripted theater accessible for the first time to large audiences, Theater Games for Rehearsal will have a lasting effect on strategies of theatrical production.

The Improv Big Bang Theory. Storia dell’improvvisazione teatrale The most random and impalpable of the performing arts meets historical research, to discover which of the thousand questions about theatrical improvisation have been answered: when exactly was improvisation born in the theatre? How was art improvised and how do we improvise today? What is the contribution of the great pioneers of the twentieth century? What is the relationship between improvisation formats and text theatre? From the apotropaic rites of the first civilizations to the Theatrical Improvisation Match®, from Aristotle to Viola Spolin, from the Commedia dell’Arte to Keith Johnstone, from Stanislavskij to Robert Gravel, from Greek theater to the most important production companies in the world of theatrical improvisation. A two thousand five hundred year long journey into the most absurd of human needs: spontaneous artistic expression.

OUR DIRECTION AT STAKE: Directing is part of Improvising This is a workbook with exercises to do by yourself at home and also as a group in your theater. If improvisers are actors, writers and directors at the same time when they improvise, so directing is part of improvising. The book have 19 exercises to work the directing side of the improviser, the direction that our improvisitation takes (as whe also choose) while we are improvising.

A Doctor and a Plumber in a Rowboat: The Essential Guide to Improvisation (Carol Schindler) Mark Ruffalo, one of the stars of The Avengers: Age of Ultron, loves this book: “My cousin Carol was the person who inspired me to become an actor. I highly recommend her book, A Doctor and a Plumber in a Rowboat: An Essential Guide to Improvisation to anyone starting out or is still on the path to knowledge.” Seasoned improvisers CAROL SCHINDLER (founding member, CHICAGO CITY LIMITS) and TOM SOTER (producer/performer, SUNDAY NIGHT IMPROV) share the lessons of improv learned during their over 30 years of performing and teaching improvisation. Aimed at improvisers and those who teach improv, the advice in this book can also help actors, writers, teachers, corporate executives, producers, dentists, firemen, factory workers, goat herders, astronauts, social workers, magicians, accountants, manicurists, Ninja warriors, and, of course, doctors and plumbers. Improvisation can be helpful for everyone. Even if you don’t necessarily want help, it’s still just plain fun.

The Tao of Improv: A Philosophy of Creating a Scene (Tom Neile) Learning how easy improv is can be the hard part.There are important lessons in life that can lead to better improv scenes. And there are important lessons in improv that can lead to a better life. By putting improv techniques under an electron microscope of reason, The Tao of Improv: A Philosophy of Creating a Scene can improve the way we function, understand and interact – on stage and off. Excerpts from the Tao Te Ching are woven into an overall philosophy of scenic improv acting. Far from being mystical, the Tao of Improv provides a concrete platform from which to understand your place on an improv stage. This book is aimed at beginner to intermediate improvisers who have already acquired a few basics. You’ll learn what you can bring into a scene and, more importantly, the myriad items you can leave out of a scene.