The Triangle of the Scene: A simple, practical, powerful method for approaching improvisation In The Triangle of the Scene, veteran improv teacher and performer Paul Vaillancourt lays out a simple set of tools that enable improvisors old and new to use the three basic elements of a scene to super-charge their work and take it to the next level. In this book, Paul shows you how to better connect with your partner, how to use the ‘where’, and how to find the ever elusive game of the scene. The Triangle of the Scene is also the first improv book to use embedded videos to allow readers to see the book’s exercises and techniques in action. With 30 years of experience performing and teaching improv Paul (the Co-founder of the iO West and member of the legendary improv group Beer, Shark, Mice) shares with you the techniques that he has used to help thousands of students become more fearless, confident, and powerful improvisors.

Jeux et enjeux : La boîte à outils de l’improvisation théâtrale Whether you’re a passionate beginner or a seasoned professional, Games and Challenges: The Improv Theater Toolkit is an invaluable source of information for anyone interested in the art of improvisational theater. Packed with 130 exercises, covering the basics as well as short and longer forms of improvisation, this book is designed as a practical support allowing the theory to come to life. Thanks to a unique blend of European and North American traditions, it offers you a great diversity of approach, and explores areas ranging from spontaneity to narration, from masks to the adaptation for the stage of theories of Travel of Heroes of Joseph Campbell.

An inspiring, hands-on guide to narrative improvisation, by the co-creator and director of the Olivier Award-winning improv show Showstopper! The Improvised Musical. Improvisation is a craft that anyone can learn. When freed from endless rules and rigid approaches and allowed to relax, react instinctively and work seamlessly as a group, improvisers can spontaneously create performances that thrill audiences with their liveness. Drawing on the author’s extensive experience teaching and performing around the world, Improv Beyond Rules is a fresh and exciting re-examination of the whole field of improvisation. Starting with the fundamental principles that work for all forms of improvised performance and the common traps improvisers fall into it goes on to explore the elements of narrative improvisation, where performers create a story without any predetermined structure: * The Moment: How to be authentically in the moment by listening and responding to your fellow performers, accepting their suggestions (not necessarily by always saying yes ) and committing to whatever happens next. * The Scene: How to connect moments together to build a compelling scene and keep it moving forward; why there’s no such thing as a mistake; understanding and working with audiences. * The Story: How to link scenes to…

The Improvisation Book: How to Conduct Successful Improvisation Sessions The “Improvisation Book” takes the teacher step-by-step through a series of graded improvisation exercises. It also contains a unique set of 96 Improvisation Cards. Drawn at random these cards determine Character and Scenario. The endless combinations ensure that the teacher never need run dry!

Absolutely Everything** You Need to Know about Teaching and Performing Improv is your personal guide to learning how to perform short-form improvisation consistently and successfully. Every challenge, every activity, and every rule presented in the book is rooted in 20 years of teaching performers from all skill levels. Material has been hand-picked to include only the activities that have consistently proven successful at overcoming the common pitfalls that can plague the improviser-in-training. Utilizing methods that are simple, easy to understand, and very, very fun, you will learn how to develop a program that allows one to maintain high expectations and create a professional looking product while still maintaining the informal revelry of game playing and humor. Simply put, by using this book, one should be able to success- fully mount any kind of short-form improv – be it corporate or student, single-team or festival, pre-professional or veteran – to the sound of riotous laughter and thunderous applause.

The visual guide to improv is an illustrated guide to the art of improvisation theater. It explains tricky concepts, ideas, techniques and formats through illustrations and concrete, easy-to-use tips. Whether you are a student or performer wanting to develop your improv skills or a teacher looking for inspiration and new tools to explain improv – this book is a must-have. THE BOOK INCLUDES: • 16o pages with more than 500 illustrations and infographics. • 50 tips that will help you develop brilliant scene work. • A crash course in classic storytelling – how to build heroes, villains and captivating stories. • 24 tips on how to edit scenes. • 18 improv formats. • Inspiration for genre work – ranging from action and rom-com to Jane Austen and Alfred Hitchcock. Web oficial: Visual Improv Guide

Improvising Better is an easy to read self-help book created with the new generation of improviser in mind. It’s written for today’s performers, looking for a quick fix to their performance problems. This book is a fast read with long-lasting results. Jimmy Carrane and Liz Allen have improvised, taught, and directed in Chicago for over thirty years combined, and have either seen or experienced the most common problems facing improvisers today. Improvising Better will give you simple tools for repairing your improvisation through original and enhanced exercises. This book addresses the improviser as a whole, including how offstage issues affect onstage performance. Speaking candidly about this very personal art form, Carrane and Allen offer common-sense solutions, some tough love, and a little inspiration along the way. Whether you are a beginner or a veteran, Improvising Better will catapult you to the next level in your career as a working improviser. Web oficial Jimmy Carrane

This is a book about improvisational theater. Delve into the dramaturgical technique to perform a theatrical impro. Improvisation theater is experiencing a boom on the international scene, entering performance spaces around the world. People who dedicate themselves to this artistic discipline need to find technical texts to carry out their profession. “Architecture of an impro” proposes a work structure to be able to carry out improvisations, step by step, in a didactic way. It works on the author’s idea of ​​making three simultaneous plots, as layers, that give depth to the stories that are they are going to create. “Architect of the ephemeral, Rafa offers a personal perspective of the transparent construction that sustains all impro. He carries under his arm plans that fortunately do not always coincide with mine, and here he displays them, shares them. I avoid counterpoint, I opt for listening and I learn from their guidelines.” Omar Galvan. Rafa Villena, Granada 1981. Since 2004 he has been working as a professional improviser. Director of La Tetera Impro! and actor in the company Improviciados. He has been a teacher of improvisation theater since 2009.

Tom Smith took his first improv class in 1985, and has been performing and teaching it ever since. He founded Walla Walla Theatresports in 1988 and has taught hundreds of improv workshops and classes, from Creede, Colorado to Dresden and Mosbach, Germany. He has performed with numerous long and short form groups, including Arkansas Toothpick Extravaganza, Seattle Theatresports, and Crooked Mirror. Official page

Acting on Impulse is a new approach to the art of improvising. Carol Hazenfield combines new theory with practical exercises and a unique understanding of the rewards and challenges faced by performers. This in-depth look at improv is written in a conversational style with an easy blend of humor and passion. Acting on Impulse seeks to challenge the status quo (and slay some sacred cows) in the pursuit of dynamic, spontaneous theater. Part One teaches players to perform truthfully from their instincts, emphasizing physical and emotional work as the basis for vibrant interactions. Part Two presents practical, accessible guidelines for narrative, character development, environments, group scenes, genre work and long-form improvisation. Readers will also learn the essentials of spontaneous acting through the use of objectives and tactics. A special chapter on how to make scenes work takes the mystery out of improv mastery. Instructors will appreciate the Appendix for Teachers, which offers tips on class design, constructive note-giving and additional exercises.