Psychodrama

Psychodrama employs theatrical techniques to explore and resolve emotional conflicts.

Rainbow of Desire (Augusto Boal)
/ 29 de December de 2025

Rainbow of Desire is a handbook of exercises with a difference. It is Augusto Boal’s bold and brilliant statement about the therapeutic ability of theatre to liberate individuals and change lives. Now translated into English and comprehensively updated from the French, Rainbow of Desire sets out the techniques which help us `see’ for the first time the oppressions we have internalised.Boal, a Brazilian theatre director, writer and politician, has been confronting oppression in various forms for over thirty years. His belief that theatre is a means to create the future has inspired hundreds of groups all over the world to use his techniques in a multitude of settings. This, his latest work, includes such exercises as:* The Cops in the Head and their anti-bodies* The screen image* The image of the future we are afraid of* Image and counter-image….and many more.Rainbow of Desire will make fascinating reading for those already familiar with Boal’s work and is also completely accessible

The Theatre Of Truth (Eberhard Dr. Scheiffele, PhD)
/ 13 de January de 2022

The Theatre Of Truth: Psychodrama, Spontaneity And Improvisation: The Theatrical Theories And Influences Of Jacob Moreno Doctoral Dissertation, University of California, Berkeley, 1995 ABSTRACT: Jacob Moreno, MD (1889-1974) is known today as the founder of psychodrama, which he defined as “the science which explores the ‘truth’ by dramatic methods.” This dissertation investigates Moreno primarily as a theatre artist. It starts with a philosophical analysis of the concepts of acting, improvisation and spontaneity and then consolidates the elements of Moreno’s theory of the nature and function of theatre, which are dispersed throughout his writings and have never been thoroughly collected in one place. It also examines how Moreno discovered the healing power of drama while he directed his Theatre of Spontaneity in Vienna 1920s and in New York 1930s. The appendix contains Moreno’s earliest theatrical text, The Godhead as Comedian, translated for the first time in its entirety from the 1919 German edition.