Essay

In the following books, dissertations are made on the theatrical event and improvisation, its state and evolution.

Yes, but… – Omar Galván
/ 7 de October de 2021

Omar Argentino Galván (improviser, teacher and show creator) is one of the main references of the improv scene in Spanish and author of the improv manual Del Salto al Vuelo (2013). His work is characterized by a particular poetics on stage, a combination of magical realism and theatrical narrative not widely used in the impro. With his tireless Improtour, he has worked on 5 continents and 35 countries. In this brief essay, “Yes, but. La impro en su encrucijada”, Galván gives his opinion about the means of production and consumption of theatrical improvisation, focusing on the North American community. It has been translated into English, French, Italian and Portuguese

This Improv Book (David Escobedo)
/ 21 de September de 2021

This Improv Book may be the best addition to your improv library and to your improv career! It brings forth concepts in improv that are new, or new ways of looking at things, that will inspire your improv scenes. This book breaks the improv experience into three core elements: You, Them and Us. The chapter on You focuses on your tools as an improv performer and things within your control. The chapter on Them will help you react to the intentions of your scene partner. While the chapter on Us brings it to the collaborative efforts of the team.This book has new philosophies like “Forces of Nature” and “S.C.O.O.T.S.” These new tools will help the new improv performer and add to an already experienced improv performer’s tool box.

The Creativity Leap: Unleash Curiosity, Improvisation, and Intuition at Work (Natalie Nixon)
/ 22 de April de 2021

“Natalie Nixon’s new book provides a fresh primer on how to cultivate creativity in the workplace.” —Nir Eyal, autor de bestsellers de Hooked and Indistractable Too many people associate creativity solely with the arts, even though to be an incredible scientist, engineer, or entrepreneur requires immense creativity. And it’s the key to developing breakthrough products and services. Natalie Nixon, a creativity strategist with a background in cultural anthropology, fashion, and service design, says that in the fourth industrial revolution a creativity leap is needed to bridge the gap that exists between the churn of work and the highly sought-after prize called innovation. Nixon says that since humans are hardwired to be creative, it is a competency anyone can develop. She shows that it balances wonder (awe, audacity, and curiosity) with rigor (discipline, skill-building, and attention to detail), and that inquiry, improvisation, and intuition are the key practices that increase those capacities. Drawing on interviews with fifty-six people from diverse backgrounds—farming, law, plumbing, architecture, perfumery, medicine, education, technology, and more—she offers illuminating examples of how creativity manifests in every kind of work. Combining creativity tools and techniques with real-world stories of innovative people and businesses, this book is a provocation, an…

If I Understood You, Would I Have This Look on My Face? (Alan Alda)
/ 12 de November de 2020

Alan Alda has been on a decades-long journey to discover new ways to help people communicate and relate to one another more effectively. If I Understood You, Would I Have This Look on My Face? is the warm, witty, and informative chronicle of how Alda found inspiration in everything from cutting-edge science to classic acting methods. His search began when he was host of PBS’s Scientific American Frontiers, where he interviewed thousands of scientists and developed a knack for helping them communicate complex ideas in ways a wide audience could understand—and Alda wondered if those techniques held a clue to better communication for the rest of us. In his wry and wise voice, Alda reflects on moments of miscommunication in his own life, when an absence of understanding resulted in problems both big and small. He guides us through his discoveries, showing how communication can be improved through learning to relate to the other person: listening with our eyes, looking for clues in another’s face, using the power of a compelling story, avoiding jargon, and reading another person so well that you become “in sync” with them, and know what they are thinking and feeling—especially when you’re talking about the…

Long-form Improvisation & the Art of Zen (Jason Chin)
/ 12 de November de 2020

Long-form Improvisation & the Art of Zen: A Manual for Advanced Performers If you’re already an improviser, even if you’re just starting out, this is the book for you. This book merges basic improvisation techniques with Zen philosophy in order to create a new way of performing scenes and shows. Based on decades of work with the art form, Jason R. Chin strips away pretense and creates a simple, yet elegant method of improvising longer, more rich scenes and characters. A powerful tool for the advanced improviser and a wonderful book for the beginner, Zen and the Art of Long-form Improvisation is a welcome addition to your improv library.

Long Form Short Book (Francisco Antillón Romo)
/ 16 de October de 2020

Discover how to improvise more effective comedic scenes! Through the “game of the scene” technique, you’ll be able to create memorable comedic moments in an easier, more efficient and more consistent way. Long Form Short Book is a book that goes through the basics of comedy improv from a different approach, to then delve deeper in the technique that has propelled the career of personalities like Amy Poehler (Parks and Recreation, Saturday Night Live), Donald Glover (Community, Star Wars), Aziz Ansari (Master of None), Kate McKinnon (Saturday Night Live), Ilana Glazer and Abby Jacobson (Broad City), Ellie Kemper (Unbreakable Kimmy Schmidt), D’Arcy Carden (The Good Place) among many others. In this book, you’ll learn how to: – Create scenic realities. – Better develop characters. – Perform comedy from truth. – What is and how to play game of the scene. – How to build an improv set and an improv form. Make your improvised scenes so effective the audience will think they’re previously written with Long Form Short Book!

The Bible as Improv (Ron Martoia)
/ 27 de September de 2020

Every Christian desires to follow the Bible. But many of the things the Bible teaches—such as its instructions on how to treat slaves or its direction to sell everything one owns—seem to have little relevance to modern life. Picking and choosing what applies today leaves many readers frustrated and confused.Is it possible that Christians are asking the wrong question of Scripture? Ron Martoia suggests that the narrative sweep of the Bible is lost when it is reduced to quips and maxims. Faithfulness to the text requires faithfulness to its narrative form. Reflecting a high view of Scripture and a profound belief in its power to change lives, Martoia helps readers read the Bible so that its story shapes their own stories. In this new light, readers can move beyond the confusion about what is true today and what is “outdated.”With a passion for seeing people experience revolutionary change in their spiritual lives, Martoia shows readers how to look at the big picture of the Bible. As they will soon find out, the view is incredible.

Improv Is No Joke (Peter A. Margaritis)
/ 14 de July de 2020

Using Improvisation to Create Positive Results in Leadership and Life Improve yourlife, where everything is not made up and the points don’t matter. Drew Carey’s show Whose Line Is It Anyway? has turned improvisational comedy into a pop culture phenomenon. But improv is more than just laughs, it’s a valuable training tool that will make you a more effective business professional. Inside, you will discover how to: Replace negative phrases like Yes, but… with successful terms like ‘Yes, and…’ Park your agenda and really hear your client out. By listening to understand, you can adapt to their ideas and produce a more positive outcome. Grow your client relationships beyond the numbers to build rapport, comfort, and trust. Improv is no Joke is must-read for accountants, bankers, and other financial professionals to sharpen the invaluable leadership and communication skills you need to successfully relate to clients and communicate complex information in a user-friendly way. “Peter is the first CPA speaker who actually made me laugh. Who knew accountants could be funny AND inspiring? Now, if I could just get my taxes to not be a joke!” Judy Carter, author of The Comedy Bible and The Message of You

The Other Blocking: Teaching and Preforming Improvisation (Tom Smith)
/ 9 de March de 2020

Tom Smith took his first improv class in 1985, and has been performing and teaching it ever since. He founded Walla Walla Theatresports in 1988 and has taught hundreds of improv workshops and classes, from Creede, Colorado to Dresden and Mosbach, Germany. He has performed with numerous long and short form groups, including Arkansas Toothpick Extravaganza, Seattle Theatresports, and Crooked Mirror. Official page