This guide provides educators, professionals, and parents with an easy-to-follow and comprehensive approach to utilizing improvised theatre as a tool to teach social and communication skills to individuals on the autism spectrum. Opening with the philosophy of the curriculum and the considerations of mental health, play, and environmental factors on individuals with autism, the book then breaks down specific activities, suggests course sequencing, and explains how each activity works and applies to desired outcomes. Packed with dozens of activities and explanations, the book includes all the information necessary to design a full curriculum or create an at-home learning program for parents. By combining the fun and engaging atmosphere of improvisational theatre with the systematic teaching of social skills, professionals and parents can cultivate learning in a way that keeps students engaged while providing long-lasting improvements in social interaction, self-confidence, and communication.
Teaching
The following books are interesting guides that help in the educational process in improvisation theater, transmitting knowledge and techniques through practice.
This best-selling book by Viola Spolin offers the most comprehensive theater instruction for all types of students, from small children to young adults. It includes over 130 theater games, plus exercises and instructional strategies. First developed by Spolin, the originator of modern improvisational theater techniques, these games have been tried and tested for over fifty years.
Devising Theatre: A Practical and Theoretical Handbook Devising Theatre is a practical handbook that combines a critical analysis of contemporary devised theatre practice with descriptions of selected companies, and suggestions for any group devising theatre from scratch. It is the first book to propose a general theory of devised theatre. After identifying the unique nature of this type of performance, the author examines how devised theatre is perceived by professional practitioners, and provides an historical overview illustrating how it has evolved since the 1960s. Alison Oddey examines the particular working practices and products of a number of professional companies, including a Reminiscence theatre for the elderly and a theatre-in-education group, and offers ideas and exercises for exploration and experimentation.
OUR DIRECTION AT STAKE: Directing is part of Improvising This is a workbook with exercises to do by yourself at home and also as a group in your theater. If improvisers are actors, writers and directors at the same time when they improvise, so directing is part of improvising. The book have 19 exercises to work the directing side of the improviser, the direction that our improvisitation takes (as whe also choose) while we are improvising.
Improvising Real Life: Personal Story in Playback Theatre by Playback Theatre cofounder Jo Salas is the basic text used by new and seasoned Playback practitioners, trainers, and in university courses. The book has been translated into German, Japanese, Spanish, Chinese (Traditional and Simplified), Portuguese, Russian, Hebrew, and Korean (forthcoming). The 20th Anniversary edition includes a foreword by Roberto Gutiérrez Varea of Theatre Without Borders and co-founder of the Performing Arts and Social Justice Program at the University of San Francisco. Entertaining and thoughtful, Improvising Real Life is illustrated with photos and real-life stories told in performances and workshops.
This companion book to “The Art of Play” offers an insider’s advice on how to hold workshops, rehearse and maintain an interactive production. Designed for the actor, director or teacher, this work provides step-by-step guidelines for creating a show – including suggestions on everything from casting to maintenance rehearsals. The book also features a detailed outline of the rehearsal process, with 150 annotated workshop exercises to develop creativity, ensemble improv skills, interactive characterization, and performance elements.
Improvisation: The Guide is a bible for all teachers, actors and improvisors. It is a practical, hands-on feast of ideas, exercises and scene-work. Drama teachers at primary, secondary and university levels have found this book invaluable. The techniques have been used for corporate workshops, drama in education and professional actor training. Improvisation processes ignite spontaneity, develop lateral thinking, encourage teamwork and release the potential artist in us all.
An inspiring, hands-on guide to narrative improvisation, by the co-creator and director of the Olivier Award-winning improv show Showstopper! The Improvised Musical. Improvisation is a craft that anyone can learn. When freed from endless rules and rigid approaches and allowed to relax, react instinctively and work seamlessly as a group, improvisers can spontaneously create performances that thrill audiences with their liveness. Drawing on the author’s extensive experience teaching and performing around the world, Improv Beyond Rules is a fresh and exciting re-examination of the whole field of improvisation. Starting with the fundamental principles that work for all forms of improvised performance and the common traps improvisers fall into it goes on to explore the elements of narrative improvisation, where performers create a story without any predetermined structure: * The Moment: How to be authentically in the moment by listening and responding to your fellow performers, accepting their suggestions (not necessarily by always saying yes ) and committing to whatever happens next. * The Scene: How to connect moments together to build a compelling scene and keep it moving forward; why there’s no such thing as a mistake; understanding and working with audiences. * The Story: How to link scenes to…
The Improvisation Book: How to Conduct Successful Improvisation Sessions The “Improvisation Book” takes the teacher step-by-step through a series of graded improvisation exercises. It also contains a unique set of 96 Improvisation Cards. Drawn at random these cards determine Character and Scenario. The endless combinations ensure that the teacher never need run dry!
Absolutely Everything** You Need to Know about Teaching and Performing Improv is your personal guide to learning how to perform short-form improvisation consistently and successfully. Every challenge, every activity, and every rule presented in the book is rooted in 20 years of teaching performers from all skill levels. Material has been hand-picked to include only the activities that have consistently proven successful at overcoming the common pitfalls that can plague the improviser-in-training. Utilizing methods that are simple, easy to understand, and very, very fun, you will learn how to develop a program that allows one to maintain high expectations and create a professional looking product while still maintaining the informal revelry of game playing and humor. Simply put, by using this book, one should be able to success- fully mount any kind of short-form improv – be it corporate or student, single-team or festival, pre-professional or veteran – to the sound of riotous laughter and thunderous applause.