Have you ever seen a HAROLD in your life? Improv theater, called Impro, Improv or Improv Comedy, is usually known for improvisation games. Television shows like Who’s Line is you anyway? popularized improvisation games on the Internet. The entire Improv methodology was developed through improvised games. All improvisers learn to improvise through them. Improvised games are the ABC of improvisation but… what about the rest of the alphabet? In 1955, in California, members of the group The Committee decided to put on a different improvisational show that night. Instead of a theatrical show made up of improvisation games as they normally did, they decided to try a new way of improvising: with just one word from the audience as an initial suggestion, they would improvise the entire show straight without stopping until the end. After the performance, in the car, returning home, the group’s director, called Del Close, asked what they would name that different type of improvisation and one of the members simply replied: “Harold!”. Long form improvisation, also called slow comedy, was born there. Claudio Amado is from Teatro do Nada, one of the precursor groups of Improv in Brazil, founded in 2004. In 2009, Claudio Amado debuted…

Theater Games for Rehearsal: A Director’s Handbook heater Games for Rehearsal is a practical application of the famous methods which have led Viola Spolin to be called “the high priestess of improvisational theater.” Spolin’s first book since the best-selling Improvisation for the Theater, this handbook guides directors and their companies step-by-step through all phases of the rehearsal period. Distilling her lifetime of experience in the theater, Spolin shows in easy-to-follow detail how her techniques can be used for a variety of theater situations, ranging from selecting plays to be performed, auditioning the cast, and building a harmonious company to warming up actors, creating stage space, and overcoming opening night jitters. The convenient, large format presents the Spolin method clearly, explains the uses of each game, and provides a wealth of useful hints and notes. Sidecoaching instructions and game evaluations appear in large, readable type for easy reference in the rehearsal hall. By making Spolin’s approach to scripted theater accessible for the first time to large audiences, Theater Games for Rehearsal will have a lasting effect on strategies of theatrical production.

The Improv Big Bang Theory. Storia dell’improvvisazione teatrale The most random and impalpable of the performing arts meets historical research, to discover which of the thousand questions about theatrical improvisation have been answered: when exactly was improvisation born in the theatre? How was art improvised and how do we improvise today? What is the contribution of the great pioneers of the twentieth century? What is the relationship between improvisation formats and text theatre? From the apotropaic rites of the first civilizations to the Theatrical Improvisation Match®, from Aristotle to Viola Spolin, from the Commedia dell’Arte to Keith Johnstone, from Stanislavskij to Robert Gravel, from Greek theater to the most important production companies in the world of theatrical improvisation. A two thousand five hundred year long journey into the most absurd of human needs: spontaneous artistic expression.

OUR DIRECTION AT STAKE: Directing is part of Improvising This is a workbook with exercises to do by yourself at home and also as a group in your theater. If improvisers are actors, writers and directors at the same time when they improvise, so directing is part of improvising. The book have 19 exercises to work the directing side of the improviser, the direction that our improvisitation takes (as whe also choose) while we are improvising.

A Doctor and a Plumber in a Rowboat: The Essential Guide to Improvisation (Carol Schindler) Mark Ruffalo, one of the stars of The Avengers: Age of Ultron, loves this book: “My cousin Carol was the person who inspired me to become an actor. I highly recommend her book, A Doctor and a Plumber in a Rowboat: An Essential Guide to Improvisation to anyone starting out or is still on the path to knowledge.” Seasoned improvisers CAROL SCHINDLER (founding member, CHICAGO CITY LIMITS) and TOM SOTER (producer/performer, SUNDAY NIGHT IMPROV) share the lessons of improv learned during their over 30 years of performing and teaching improvisation. Aimed at improvisers and those who teach improv, the advice in this book can also help actors, writers, teachers, corporate executives, producers, dentists, firemen, factory workers, goat herders, astronauts, social workers, magicians, accountants, manicurists, Ninja warriors, and, of course, doctors and plumbers. Improvisation can be helpful for everyone. Even if you don’t necessarily want help, it’s still just plain fun.

The Tao of Improv: A Philosophy of Creating a Scene (Tom Neile) Learning how easy improv is can be the hard part.There are important lessons in life that can lead to better improv scenes. And there are important lessons in improv that can lead to a better life. By putting improv techniques under an electron microscope of reason, The Tao of Improv: A Philosophy of Creating a Scene can improve the way we function, understand and interact – on stage and off. Excerpts from the Tao Te Ching are woven into an overall philosophy of scenic improv acting. Far from being mystical, the Tao of Improv provides a concrete platform from which to understand your place on an improv stage. This book is aimed at beginner to intermediate improvisers who have already acquired a few basics. You’ll learn what you can bring into a scene and, more importantly, the myriad items you can leave out of a scene.

Improvisation for Actors and Writers: A Guidebook for Improv Lessons in Comedy Far more than simply an overview of improv comedy, this theatre book helps actors, writers, and comedians learn the basics as taught in all the major comedy schools. First, the do’s and don’ts of the Comedy Improv Commandments. Next, the concepts that, when understood, hit the student like falling anvils: Anvil #1: Collaboration “€” Working with the “Group Mind,” Anvil #2: Agreement “€” “Just Say Yes,” Anvil #3: Foundation “€” “Who, What, and Where,” Anvil #4 “€” “Finding the Game.” There are twenty-nine chapters in five sections: 1. Improv Comedy Schools, 2. Improv Comedy Basics, 3. Comic Character Development, 4. Long Form Improv, and 5. Writing Sketch Comedy. Successful improv requires the skill of the actor, the talent of the comedian, and the ideas of the writer rolled into one. This drama book tells how it can all be done for performers and teachers.

Improve with Improv!: A Guide to Improvisation and Character Development This book is a complete improvisational curriculum program divided into twenty class-length workshops. Each workshop contains carefully selected exercises designed to help students focus on one aspect of a character’s personality. Students learn how to create characters from their own imaginations through the use of solo and ensemble pantomime, physicalization, vocal techniques, props and more. Gestures, facial expressions, voice and body language are studied in isolation. Many ensemble sketches are included, along with a final improv sketch with enough roles for all members of a large class. The book also includes a class syllabus and guidelines, a character outline sheet, character examples and a reading list. This is a must for any drama program wanting to teach improvisation, but not knowing where to start.

Improv Ideas: A Book of Games and Lists Until now there has never been a single, simple-to-use game source for teaching improv drama. Now the sixty-two years of combined experience of two collaborators have made this source book a reality.

The Ultimate Improv Book: A Complete Guide to Comedy Improvisation This strikingly comprehensive manual effectively shows the who, what, when, why and how of comedy improvisation. Unlike other improv books, this text provides the tools you need to start an improvisational team or club at your school. The book presents a complete improv curriculum program divided into 24 valuable class-length units organized into four sections. “The Introduction” explains what improv is and how to create an improv team. “Improvisational Skills” shows some basic rules, physicalization, characterization, teamwork and use of suggestion. “Structuring” describes the who, what and how to make “suggestion” and “reality based” improv structures. “Strategies” gives hints and tips for putting on a show and evaluating the performance. In addition, a unique section that shows you how to structure and create your own new improv games is also included. Finally, you’ll find the appendices full of games and exercises invaluable. The Ultimate Improv Book is the improvisational treasure for which you’ve been looking!